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  The Phantom of The Opera

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  a skeleton frame. His eyes are so deep that you can hardly see the fixed pupils. You just see two big black holes, as in a dead man’s skull. His skin, which is stretched across his bones like a drumhead, is not white, but a nasty yellow. His nose is so little worth talking about that you can’t see it side-face; and THE ABSENCE of that nose is a horrible thing TO LOOK AT. All the hair he has is three or four long dark locks on his forehead and behind his ears.”
  This chief scene-shifter was a serious, sober, steady man, very slow at imagining things. His words were received with interest and amazement; and soon there were other people to say that they too had met a man in dress-clothes with a death’s head on his shoulders. Sensible men who had wind of the story began by saying that Joseph Buquet had been the victim of a joke played by one of his assistants. And then, one after the other, there came a series of incidents so curious and so inexplicable that the very shrewdest people began to feel uneasy……

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  Emma

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  The main character, Emma Woodhouse, is described in the opening paragraph as ”handsome, clever, and rich” but is also rather spoiled. As a result of the recent marriage of her former governess, Emma prides herself on her ability to matchmake, and proceeds to take under her wing an illegitimate orphan, Harriet Smith, whom she hopes to marry off to the vicar, Mr Elton. So confident is she that she persuades Harriet to reject a proposal from a young farmer who is a much more suitable partner for the girl.

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  The Woman in White

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  his hand, the golden Papa has a letter; and after he has made his excuse for disturbing us in our Infernal Region with the common mortal Business of the house, he addresses himself to the three young Misses, and begins, as you English begin everything in this blessed world that you have to say, with a great O. ‘O, my dears,’ says the mighty merchant, ‘I have got here a letter from my friend, Mr.—-‘(the name has slipped out of my mind; but no matter; we shall come back to that; yes, yes–right-all-right). So the Papa says, ‘I have got a letter from my friend, the Mister; and he wants a recommend from me, of a drawing-master, to go down to his house in the country.’ My-soul-bless-my-soul! when I heard the golden Papa say those words, if I had been big enough to reach up to him, I should have put my arms round his neck, and pressed him to my bosom in a long and grateful hug! As it was, I only bounced upon my chair. My seat was on thorns, and my soul was on fire to speak but I held my tongue, and let Papa go…

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  Tween Snow and Fire

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  me here as I stand. Shoot again, Umlilwane–shoot again, if you dare. Hau! Hear my `word.’ You have slain my dog–my white hunting dog, the last of his breed–who can outrun every other hunting dog in the land, even as the wind outstrippeth the crawling ox-wagon, and you have shed my blood, the blood of a chief. You had better first have cut off your right hand, for it is better to lose a hand than one’s mind. This is my `word,’ Umlilwane–bear it in memory, for you have struck a chief–a man of the House of Gcaleka.”
  [Umlilwane: “Little Fire”–Kafirs are fond of bestowing nicknames. This one referred to its bearer’s habitually short temper.]

  “Damn the House of Gcaleka, anyway,” said Carhayes, with a sneer as the savage, having vented his denunciation, stalked scowlingly away with his compatriots. “Look here, isidenge,” [fool], he continued. “This is my word. Keep clear of me, for the next time you fall foul of me I’ll shoot you dead. And now, Eustace,” turni

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